Out of the 31 total 35mm lenses available for the Sony E-mount system, the 35mm f/1.4 GM is the second most expensive at $1,400, only outpriced by the infamous and beastly Sigma 35mm f/1.2, which
In reply to TTMartin • Dec 1, 2013. TTMartin wrote: On a crop sensor camera the 30mm lens is pretty much a 'normal' view lens. It gives basically the same field of view that the 50mm lens gave on a 35mm film camera. The 50mm lens on a crop sensor camera is slightly telephoto, and gives the same field of view as 75mm lens.
1. Wider Field of View. A 35mm lens has a horizontal field of view of 54.4 degrees and a vertical field of view of 37.8, which is notably larger than the 40-degree horizontal and 27-degree vertical field of view that a 50mm lens provides, so you will be able to capture more of the scene in your photos. The wider field of view allows you to
After those two lenses, in terms of sharpness at their respective WOAs, in third place we have the Canon 50mm 1.8, and in last place we have the Canon 50mm 1.4. The 50mm 1.2 does have a bit more vignetting than the 24-70mm when wide open, but that is also part of the visual appeal. Canon 50mm f/1.2L at f/1.2. Canon 24-70mm f/2.8 at f/2.8.
Rather, the 50mm lens makes them appear taller and slimmer. Because of its ability to capture a wider image the 50mm is the perfect lens for capturing those beautiful food, photo gear and fashion flat lays that flood our Instagram accounts. Since this lens can capture both portraits and bigger scenes, you can confidently take it out and
Sony had the Distagon 35mm f/1.4 ZA available for full-frame mirrorless cameras since 2015. On the other hand, the Sigma 35mm f/1.4 DG HSM ART lens has an E-mount but functionally is the older
Today there are many interesting lens offerings in this area. Canon has the 50mm f1.2 for RF, Nikon is making something similar, Sony has 50mm and 35mm f1.4, Fuji are making a 33mm (50mm equiv.) f1.0, Sigma recently announced the 35mm f1.2 for mirrorless. Then there are manual focus offerings from companies like Voigtlander (40mm f1.2 and 50mm
If you’re looking for a ‘cheat’s version,’ this section is all you need. 35 mm lenses – Have a wider viewing angle, have to be held a bit closer to their subjects, and have lower magnification overall. 50mm lenses – Still have reasonable viewing angles but they’re narrower than 35mm.
So for example, the crop factor for 645 medium format aspect ratio to 35mm is roughly 0.62 (43mm/69.7mm=0.62). Taking the crop factor and multiplying it by the focal length of the medium format lens, then, will give you the rough 35mm equivalent. For our 645 medium format lens then, an 80mm lens will give us roughly the same field of view as a
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lensa 35mm vs 50mm
